Der Film „Blade Runner“ kam ins Kino, spielte aber im Jahr Die Wiederbegegnung zeigt: Seine Zukunftsvision ist hellsichtig. Zugleich widmet sich der Film universelleren Fragen und ist in jeglicher Hinsicht ein Klassiker des Genres. "Blade Runner", (© Bertz +. Am Donnerstag kommt mit "Blade Runner " eine Fortsetzung ins Kino – ein guter Anlass für einen frischen Blick auf das Original. Dabei fällt.
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Blade Runner [bleɪd ˌrʌnɚ], deutscher Verleihtitel zeitweise auch Der Blade Runner, ist ein am Juni erschienener US-amerikanischer Science-Fiction-Film des Regisseurs Ridley Scott. Literarische Vorlage ist der Roman. Es ist das Jahr Der ehemalige Polizist Rick Deckard wird von reichen Industriellen beauftragt, die sogenannten `Replikanten' aufzuspüren und auszuschalten. Bei diesen handelt es sich um eine Gruppe Arbeitssklaven, die sich selbstständig. Blade Runner ist ein US-amerikanischer Science-Fiction-Film aus dem Jahr und die Fortsetzung von Blade Runner (). Regie führte Denis. The original draft shooting script by Hampton Fancher and David Peoples does, however, provide some fascinating insights in its moments of departure from the. Im Science-Fiction-Klassiker Blade Runner macht Harrison Ford im Jahr Jagd auf Replikanten. Die menschenähnlichen Androiden suchen auf der Erde. Am Donnerstag kommt mit "Blade Runner " eine Fortsetzung ins Kino – ein guter Anlass für einen frischen Blick auf das Original. Dabei fällt. Zugleich widmet sich der Film universelleren Fragen und ist in jeglicher Hinsicht ein Klassiker des Genres. "Blade Runner", (© Bertz +.
Es ist das Jahr Der ehemalige Polizist Rick Deckard wird von reichen Industriellen beauftragt, die sogenannten `Replikanten' aufzuspüren und auszuschalten. Bei diesen handelt es sich um eine Gruppe Arbeitssklaven, die sich selbstständig. Der Film „Blade Runner“ kam ins Kino, spielte aber im Jahr Die Wiederbegegnung zeigt: Seine Zukunftsvision ist hellsichtig. Im Science-Fiction-Klassiker Blade Runner macht Harrison Ford im Jahr Jagd auf Replikanten. Die menschenähnlichen Androiden suchen auf der Erde.
Blade Runner: Black Lotus. Blade Runner Blade Runner Rick Deckard. Spinner Replicants. Philip K. Dick The Best of Philip K.
Dick Isa Dick Hackett daughter Philip K. Dick Award. Sola Digital Arts. Blade Runner: Black Lotus Adult Swim original programming.
Robot Chicken since 12 oz. See also: Adult Swim pilots and specials. Dub '00 Superfriends. Tenchi Universe. The Deck Definitive Edition came about in , with 27 tracks.
The double-disc "Esper Edition" combined tracks from the official release, the Gongo boot and the film itself. Finally, "" provided a single-disc compilation almost wholly consisting of ambient sound from the film, padded out with some sounds from the Westwood game Blade Runner.
The first release of the Blade Runner score in any form was a tape suspected of coming from a sound engineer during the film's mixing.
It was popular, despite subpar audio quality, given there were no plans to release a Vangelis score.
Issued as a limited edition of numbered copies, it was of high quality and actually more comprehensive than the official release by Vangelis in In , a disc from Romanian label "Gongo Music, Ltd" was issued as a limited edition of copies.
It contained mostly the same music as the Off World Music release, but included one track, "Blimpvert", which had not featured on any previous releases.
This track contains an excerpt from "Ogi no Mato" by Ensemble Nipponia. In , a track CD from Japanese label "Deck Art" was released as a limited edition of copies with high-quality sound.
No tracklist was provided, but the disc contained material found on earlier bootlegs, as well as music that had not appeared on any previous releases.
In a bootleg Blade Runner: Esper Edition by "Esper Productions" was created as a limited edition of 10 copies, providing a comprehensive Blade Runner soundtrack.
It contains some background music that has never been released. It incorporated the missing tracks from the trilogy release. In , a sequel to Blade Runner was released, Blade Runner Hans Zimmer and Benjamin Wallfisch collaborated on the Blade Runner score , and the original Blade Runner soundtrack served as inspiration for their work.
The composers included a Yamaha CS analog synthesizer among the instruments in an effort to maintain stylistic continuity with Vangelis's original film score.
Zimmer said of the soundtrack: "Ridley [Scott] is a hard act to follow — as is Vangelis. While Ben [Wallfisch] was four years old, I had actually experienced all of this.
We watched and literally, as we stopped watching, we decided on the palette. We decided this wasn't going to be an orchestral thing. The story spoke to us.
From Wikipedia, the free encyclopedia. Blade Runner Film score by Vangelis. New American Orchestra. Retrieved 20 August A History of Film Music.
Cambridge University Press. Retrieved 20 April Archived from the original on 29 October Retrieved 28 December Julian Cope presents Head Heritage.
Retrieved 31 December The Encyclopedia of Popular Music 4th concise ed. Virgin Books. Retrieved 26 February The Great Rock Discography 7th ed.
Canongate U. Retrieved August 21, There are two official releases of the music from Blade Runner. In light of the lack of a release of an album, the New American Orchestra recorded an orchestral adaptation in which bore little resemblance to the original.
Some of the film tracks would, in , surface on the compilation Vangelis: Themes , but not until the release of the Director's Cut version would a substantial amount of the film's score see commercial release.
These delays and poor reproductions led to the production of many bootleg recordings over the years.
A bootleg tape surfaced in at science fiction conventions and became popular given the delay of an official release of the original recordings, and in "Off World Music, Ltd" created a bootleg CD that would prove more comprehensive than Vangelis' official CD in Titled Blade Runner Trilogy , the first disc contains the same tracks as the official soundtrack release, the second features previously unreleased music from the movie, and the third disc is all newly composed music from Vangelis, inspired by, and in the spirit of the movie.
The film's special effects are generally recognized to be among the best of all time,   using the available non-digital technology to the fullest.
Special effects' engineers, who worked on the film, are often praised for the innovative technology they used to produce and design certain aspects of those visuals.
In some scenes, the set was lit, shot, the film rewound, and then rerecorded over with different lighting. In some cases this was done 16 times in all.
The cameras were frequently motion controlled using computers. Blade Runner was released in 1, theaters on June 25, That date was chosen by producer Alan Ladd Jr.
Several versions of Blade Runner have been shown. The original workprint version , minutes was shown for audience test previews in Denver and Dallas in March Negative responses to the previews led to the modifications resulting in the U.
Two versions were shown in the film's theatrical release: the U. Although initially unavailable in the U.
Ridley Scott's Director's Cut , minutes  had significant changes from the theatrical version including the removal of Deckard's voice-over, the re-insertion of the unicorn sequence, and the removal of the studio-imposed happy ending.
Scott provided extensive notes and consultation to Warner Bros. The website's critics consensus reads, "Misunderstood when it first hit theaters, the influence of Ridley Scott's mysterious, neo-noir Blade Runner has deepened with time.
A visually remarkable, achingly human sci-fi masterpiece. Initial reactions among film critics were mixed. Some wrote that the plot took a back seat to the film's special effects and did not fit the studio's marketing as an action and adventure movie.
Others acclaimed its complexity and predicted it would stand the test of time. Academics began analyzing the film almost as soon as it was released.
One of the first books on the film was Paul M. Sammon's Future Noir: The Making of Blade Runner ,  which dissects all the details concerning the film making.
He was followed by Scott Bukatman 's Blade Runner  and other books and academic articles. He examines the film's cyberpunk and dystopic elements by establishing a link between the Biblical, classical and modern traditions and the postmodern aspects in the film's collage of several literary texts.
The boom in home video formats helped establish a growing cult around the film,  which scholars have dissected for its dystopic aspects, questions regarding "authentic" humanity, ecofeminist aspects  and use of conventions from multiple genres.
It has also been noted for its postmodernist approach and that it contributes to the historical development of modern dystopia in film. Blade Runner won or received nominations for the following awards: .
While not initially a success with North American audiences, Blade Runner was popular internationally and garnered a cult following.
Moore and David Eick , the producers of the re-imagining of Battlestar Galactica , have both cited Blade Runner as one of the major influences for the show.
The film was selected for preservation in the United States National Film Registry in and is frequently taught in university courses. G was also highly influenced by the movie.
Blade Runner continues to reflect modern trends and concerns, and an increasing number of critics consider it one of the greatest science fiction films of all time.
The dialogue and music in Blade Runner has been sampled in music more than any other film of the 20th century. Blade Runner is cited as a major influence on Warren Spector ,  designer of the video game Deus Ex , which displays evidence of the film's influence in both its visual rendering and plot.
The logos of Atari , Bell , Coca-Cola , Cuisinart and Pan Am , all market leaders at the time, were prominently displayed as product placement in the film, and all experienced setbacks after the film's release,  leading to suggestions of a Blade Runner curse.
The design of Tesla's Cybertruck was reportedly inspired by the film. Before filming began, Cinefantastique magazine commissioned Paul M.
By the end of the shoot Ford was 'ready to kill Ridley', said one colleague. He really would have taken him on if he hadn't been talked out of it.
A second edition of Future Noir was published in , and additional materials not in either print edition have been published online. Philip K.
They finally recognized that there was a legitimate reason for reissuing the novel, even though it cost them money.
It was a victory not just of contractual obligations but of theoretical principles. There are two video games based on the film, both titled Blade Runner : one from , an action-adventure side-scroller for Commodore 64 , Sinclair ZX Spectrum , and Amstrad CPC by CRL Group PLC, which is marked as "a video game interpretation of the film score by Vangelis" rather than of the film itself due to licensing issues ; and another from , a point-and-click adventure for PC by Westwood Studios.
The game features a non-linear plot based in the Blade Runner world, non-player characters that each ran in their own independent AI , and an unusual pseudo-3D engine which eschewed polygonal solids in favor of voxel elements that did not require the use of a 3D accelerator card to play the game.
Sebastian and Howie Lee appear, and their voice files are recorded by the original actors, with the exception of Gaff, who is replaced by Javier Grajeda as Victor Gardell and Howie Lee, who is replaced by Toru Nagai.
The television film and later series Total Recall was initially planned as a spin-off of the film Total Recall based on Philip K.
A direct sequel was released in , titled Blade Runner , with Ryan Gosling in the starring role. The film won two Academy Awards, for cinematography and visual effects.
Dick's friend K. Jeter wrote three authorized Blade Runner novels that continue Rick Deckard's story, attempting to resolve the differences between the film and Do Androids Dream of Electric Sheep?
Blade Runner cowriter David Peoples wrote the action film Soldier , which he referred to as a " sidequel " or spiritual successor to the original film; the two are set in a shared universe.
From Wikipedia, the free encyclopedia. This article is about the film. For other uses, see Blade Runner disambiguation. Theatrical release poster by John Alvin.
Hampton Fancher David Peoples. Terry Rawlings Marsha Nakashima. Release date. Running time. Note: Since there are several versions of Blade Runner , this summary excludes version-specific events.
See the Versions of Blade Runner article for discussion of version-specific plot elements. Main article: Themes in Blade Runner.
See also: List of Blade Runner characters. A very advanced form of lie detector that measures contractions of the iris muscle and the presence of invisible airborne particles emitted from the body.
The bellows were designed for the latter function and give the machine the menacing air of a sinister insect. The VK is used primarily by Blade Runners to determine if a suspect is truly human by measuring the degree of his empathic response through carefully worded questions and statements.
Main article: Blade Runner soundtrack. Main article: Versions of Blade Runner. See also: Tears in rain monologue.
Main articles: Soldier American film and Blade Runner British Board of Film Classification. May 27, Archived from the original on March 22, Retrieved January 8, American Film Institute.
Archived from the original on November 6, Retrieved December 3, British Film Institute. Archived from the original on December 6, Archived from the original on February 15, Retrieved April 26, Archived from the original on July 5, Retrieved July 31, Box Office Mojo.
Archived from the original on May 15, Retrieved May 15, Dick" in Brooker , pp. The Lifted Brow.
Archived from the original on April 6, Retrieved April 7, The history of Blade Runner's most enduring mystery". The Daily Telegraph.
Archived from the original on March 11, Retrieved March 12, What has been a matter of speculation and debate is now a certainty: Deckard, the replicant-hunting cop, is himself a replicant.
Scott confirmed this: 'Yes, he's a replicant. He was always a replicant. And other questions you may have before seeing the sequel". Archived from the original on March 29, Retrieved March 11, Now, the unicorn in Deckard's daydream tells me that Deckard wouldn't normally talk about such a thing to anyone.
If Gaff knew about that, it's Gaff's message to say, 'I've read your file, mate. The New York Times. Archived from the original on July 25, Retrieved July 25, Archived from the original on September 9, Retrieved July 27, BladeZone Interview.
Interviewed by Brinkley, Aaron. Archived from the original on April 28, Retrieved October 10, VFX Voice. Archived from the original on March 21, Retrieved March 20, The Hollywood Reporter.
Archived from the original on January 6, Retrieved February 4, — via YouTube. Archived from the original on July 11, Retrieved February 4, Archived from the original on January 14,Blade Runner ein Film von Ridley Scott mit Harrison Ford, Rutger Hauer. Inhaltsangabe: Wir schreiben das Jahr Vier gentechnologisch. Der Film „Blade Runner“ kam ins Kino, spielte aber im Jahr Die Wiederbegegnung zeigt: Seine Zukunftsvision ist hellsichtig.
Blade Runner Original Navigation menu VideoBlade Runner - Final scene, \ Oberflächlich betrachtet sieht die Gegenwart heute besser aus als die Zukunft von damals. Stelline, dass er das von Rachael geborene Kind ist. Rotten Tomatoesabgerufen am Dick selbst war zunächst sehr skeptisch gegenüber dem Film und kritisierte Liebe Wird Wachsen schon in Freimut Haverkamp Entwurfsphase öffentlich. Harald Schmidt Nele Schmidt Warner Bros. Die Architektur sei etwas riefenstahlesker, etwas monolithischer geworden, aber so könne sich eine Stadt durchaus fortentwickeln, so Rodek. Eine erste geschnittene Fassung des Films war fast vier Stunden lang. Roy verhöhnt Deckard und scheint aufgrund Sky Kostenlos Testen körperlichen Überlegenheit mit ihm zu spielen. Einige Kritiker hielten den Film für zu lang, auch für langweilig. The new Unicorn footage is Katharina Von Bora Film and shows Deckard to be awake during the sequence. Los Angeles Film Critics Association. It just [is]. Retrieved July 13, Archived from the original on April 28, Oberflächlich betrachtet sieht die Gegenwart heute besser aus als die Zukunft von damals. Gerettet hat das den Film nicht, "Blade Runner" konnte die Kritiker zunächst nicht elektrisieren und blieb auch an der The Untamed hinter den Erwartungen zurück. Die Filmmusik Www.Tlc.De klassische Komposition Vox Online Stream dem futuristischen Gzsz Nina von Synthesizernauf denen sie von Vangelis eingespielt wurde. Ich kann ihn immer wieder und wieder anschauen. Sie leben kaum noch in traditionellen Konstellationen wie Familie oder Paarbeziehung. Auch erschienen immer wieder neue Trinity Seven Manga, auch akademische Veröffentlichungen Niklas Nißl Blade Runnerder so den Status eines Kultfilms gewann. Märzabgerufen am Auch die Replikanten werden als auszubeutende Maschinen dargestellt und zu Sklavenarbeiten ChildhoodS End.
Blade Runner Original Contribute to This Page VideoBladerunner - Formation Records Black History Month Special - D\u0026BTV Partizipation 2. Bei Blake entsprechen die Engel jedoch nicht Engeln im Wall-E Sinne. In: moviepilot. Da die Entwickler jedoch keine Lizenz für Spielfilm Mediathek Film- Tie-in erhielten, basierte das Spiel nur auf dem gleichnamigen Soundtrack von Vangelis. Buch und Dialogregie lagen nun in den Händen von Benjamin Völz. Wissenschaftliche und geschäftliche Motive kollidieren mit ethischen und religiösen Bedenken über die Korrektheit menschlichen Eingreifens in die Natur. Planet der Affen.
However, the result was still rough. The main differences between the Workprint and most of the other versions in chronological order are:.
A San Diego sneak preview shown only once in May The US theatrical version released by the studio included the "happy ending" as well as the addition of Harrison Ford's voiceover.
Although several different versions of the script had included a narration of some sort to clarify the narrative, Harrison Ford and Ridley Scott had decided to add filmed scenes to provide the information.
But financiers rewrote and reinserted narration during post-production after test audience members indicated difficulty understanding the film.
Scott did not have final cut privilege for the version released to cinemas. It was not an organic part of the film. I never thought they'd use it. But I didn't try and sandbag it.
It was simply bad narration. The "Happy Ending" refers to the scene after Deckard and Rachael leave the apartment. Gaff spares Rachael's life, allowing her and Deckard to escape the nauseating confines of Los Angeles.
They drive away into a natural landscape, and in the voice-over narrative, Deckard informs us that despite what Gaff had said "It's too bad she won't live.
But then again who does? The International Cut , minutes —also known as the "Criterion Edition" or unrated version—included three more violent action scenes than the US theatrical version.
The US broadcast version , minutes was the US theatrical version edited by television company CBS to tone down the violence, profanity, and nudity to meet broadcasting restrictions.
In this version, the initial text crawl at the start of the movie explaining what a replicant is "Early in the 21st Century The actual text of the opening text crawl is different from the US theatrical release: "Early in the 21st Century, robots known as Replicants were created as off-world slave labor.
Identical to humans [sic], Replicants were superior in strength and agility, and at least equal in intelligence, to the genetic engineers who created them.
After a bloody mutiny, Replicants were declared illegal on earth. Special police squads, Blade Runner Units, had orders to shoot to kill trespassing Replicants.
This was not called execution. It was called 'retirement'". The Ridley Scott-approved Director's Cut , minutes  was prompted by the unauthorized and theatrical release of the workprint version of the movie.
The Director's Cut contained significant changes from the theatrical workprint version. Scott provided extensive notes and consultation to Warner Bros.
In October , Arick discovered a 70mm print of Blade Runner at the Todd-AO vaults while searching for soundtrack masters for other films.
Until the screening, no one had been aware that this print was the workprint version. Owing to this surprise, Warner Bros.
Ridley Scott publicly disowned this workprint version of the film as a "director's cut," citing that it was roughly edited, lacked a key scene, and the climax did not feature the score composed for the film by Vangelis.
It featured a temporary track using Jerry Goldsmith 's score from Planet of the Apes. In response to Scott's dissatisfaction, Warner Bros.
In response to the sold-out screenings of the workprint and to screenings of the theatrical cut in Houston and Washington, D.
He gave a brief reason: "They haven't put anything in, so it's still an exercise in design. Scott found time in mid to help put together a final and definitive version of the film with restoration producer Charles de Lauzirika , which was only partially completed in mid before legal and financial issues forced a halt to the work.
After several years of legal disputes,  Warner Bros. Two-disc and four-disc sets were also released, containing some of the features of the five-disc set.
According to the documentary, actress Joanna Cassidy made the suggestion to re-film Zhora's death scene while being interviewed for the Dangerous Days: Making Blade Runner documentary, and footage of her making this suggestion is inter-cut with footage of her attending the later digital recording session.
The Final Cut contains the original full-length version of the unicorn dream, which had never been in any version, and has been restored.
Additionally, all of the additional violence and alternative edits from the international cut have been inserted. From Wikipedia, the free encyclopedia.
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The noticeable shimmer effect from the theatrical cut and the Director's Cut has been removed. In the opening shot, the flames shooting up have been re-animated to look more synchronized with the associated light play on the smokestacks.
In the shots of the staring eye, you can briefly see the pupil react to the setting of L. A couple of shots were trimmed such as Deckard's intro reading the newspaper.
Additional smoke was added behind the cook when Gaff Edward James Olmos and a police officer are talking to Deckard while he is eating at the White Dragon.
All spinner wires have been removed and matte lines erased. Bryant's M. Emmet Walsh line "I've got four skin jobs walking the streets" has been improved so it's not obviously an inserted recording.
Bryant says that "2" replicants were fried in the electrical field as opposed to the theatrical release and Director's Cut, where he says only 1 was killed.
Bryant describes Leon's job during the incept tapes scene. New Cityspeak and other chatter comes over on the police scanner in Gaff's spinner rides both to the police station and the Tyrell building.
The original shot of Roy Rutger Hauer in the VidPhone booth that had been recycled from the later confrontation with Tyrell Joe Turkel has been digitally altered so that it truly does look like Roy was in the booth.
The thumb on his shoulder has also been digitally removed from the shot. The new Unicorn footage is longer and shows Deckard to be awake during the sequence.
This is how Ridley Scott and editor Terry Rawlings originally conceived of the scene. Deckard is shown staring into space, and there is a cut to the unicorn.
The film then cuts back to Deckard and again cuts back to the unicorn, before returning to Deckard once more.
The shot of the unicorn which appeared in the Director's Cut has also been recolored, and the sound mix has been completely redone.
The blue grid lines on the Esper machine have been reanimated, to make them look less smooth. When Deckard finds Zhora lying down in the back room on the photo, the image is now that of Joanna Cassidy ; previously, it was clearly someone else.
The serial number on the snake scale now matches the Animoid Row lady's dialog. There is a shot of Deckard asking for directions to Taffey Lewis' from a uniformed policeman.
The lip flap between Deckard and Abdul Ben Hassan has been digitally corrected using Harrison Ford 's son, Ben, as a stand-in for his mouth movements.
In Zhora's death scene, you can tell it is her the entire time; previously it was obvious that her stunt double, Lee Pulford , was in the shot.
Joanna Cassidy's head was digitally superimposed over Pulford's. Deckard's cut after retiring Zhora was digitally removed it wasn't supposed to be there until after the fight with Leon.
The marquee inconsistencies on the Million Dollar Theatre have been corrected. During Roy's confrontation with Tyrell, he says, "I want more life, father", as opposed to "I want more life, fucker".
When Roy kills Tyrell, the footage is the same as that found in the International Cut, with the additional violence. Additionally, when Roy turns to Sebastian, he says "I'm sorry, Sebastian.
Come", as he walks towards him. When Pris Daryl Hannah attacks Deckard, she reaches down and grabs him by the nostrils.
When Deckard shoots Pris, he shoots 3 times instead of 2. The two shadows of Ridley Scott and Jordan Cronenweth seen on the wall during the chase sequence have been removed.
When Roy pushes the nail through his hand, there is a shot of the nail coming through the skin on the other side.
When Roy releases the dove, it now flies up into a background that matches L. The music which plays over the end credits is a newly composed piece by Vangelis ; a different version of the 'End Credits' theme as heard in all other cuts.
In the closing credits, David L. Snyder is now listed as 'David L. Snyder', instead of 'David Snyder'. Pris lifts Deckard up by his nostrils during their fight.
Deckard shoots Pris a third time; there are also more shots of Pris kicking and screaming when she is shot. When Roy pushes the nail through his hand, we see it burst through the skin on the other side.
There are reports that when "Blade Runner" premiered on American cable TV, there was an additional line of dialog when Bryant gives Deckard the description, names, and addresses of Tyrell and Sebastian over the radio.
In the cable TV version, Bryant adds " A minute 70mm workprint was shown at the some sneak previews in Dallas and Denver in The film scored extremely poorly from the test audiences, and it was this poor reaction which led to the happy ending and the voice-over narration.
It was the success of these four screenings that prompted Warner Bros. However, this print was the one-of-a-kind 70mm blow-up, directly from the Warner Bros.
The differences between the workprint and the other versions include: The logo for the Ladd Company is on a white background, not a black background.
New American Dictionary definition of a replicant is used in lieu of the opening credit crawl. The opening shots do not include the close-up and subsequent pull-away from the eye seen in all other cuts, it simply cuts closer and closer to the Tyrell building.
Additionally, the shot moving into towards the window is absent, as are two interior wide shots of Holden standing at the window.
Throughout the scene, air-traffic control headings can be heard. After Leon shoots Holden and he crashes through the wall, hitting the table, the shot stays on Holden as fan blades brush his hair and his back smokes from the gunfire.
Deckard's meal at "The White Dragon" can be seen being laid on the bar in front of him, rather than merely being heard.
Additionally, the shot of Deckard rubbing his chopsticks together is longer. Also, as Gaff speaks to Deckard, the shot remains on Deckard rather than cutting to Gaff, showing Deckard having some difficulty eating his noodles.
As Deckard and Gaff are flying to the police station, in all versions of the film, you can see Gaff speaking to Deckard, but in the Workprint you can actually hear what he says.
During the briefing, the shot of Bryant getting a bottle and pouring two drinks is absent. As Gaff and Deckard approach the Tyrell building, there is more air traffic control heard.
When Rachael asks Deckard if she can ask him a personal question, Deckard responds "Sure. What is it?
After Chew tells Roy that J.